Carrie Courogen (hi) is a New York-based writer and editor with a decade of editorial experience in print, digital, and video media. She currently works at Condé Nast, where she serves as a social video producer and director across brands like Vanity Fair, Teen Vogue, and Glamour. Additionally, she is an associate editor at Bright Wall/Dark Room, as well as the co-host, co-writer, and editor of the ‘77 Music Club podcast (it’s on hiatus, sorry). Oh, and she is writing a book about Elaine May for St. Martin’s Press. She is extremely online, probably too much, but, hey, that’s showbiz, baby. You can follow on Twitter and Instagram if you so desire.
Her writing — which often zeroes in on the intersection of feminism and film, music, and pop culture — has been featured in print and online all over the place, from Vanity Fair to PAPER, Pitchfork, NPR, and many more. The full outlet list, at this point, looks a little chaotic to type out, so you can view a full archive of her writing samples here or take a look at her resume here.
When she is not writing and asking you to read what she has written, she’s likely to be thinking about that time Jane Fonda mistook her dead dog’s ashes for bath salts, lowering the median age at a concert/book talk/screening/whatever kind of event absolutely targeted toward a senior demographic, watching a Nora Ephron movie and crying, or walking around Manhattan while listening to Paul Simon’s 1991 Concert in Central Park. Whatever.
She’s rep’d by Nicki Richesin, Wendy Sherman Associates, if you have any actual work-related questions.