I’M STILL IN LOVE WITH YOU – Al Green – Hi Records – 1972
Al Green’s 1972 album I’m Still In Love With You is a personal one: an album for smooth Saturday nights and sweet Sunday mornings, for both weddings and double digit anniversaries. It recalls time spent with family, friends, and lovers, and inspires memories to be made in the future. It’s an album made for lasting connections, and is undoubtedly one that is best enjoyed when shared.
In this episode, we examine the foundation of this iconic record and explore the greater musical landscape from which it was born. We discuss the one-of-a-kind house band that gave the album its distinct sound, the Southern stronghold that informed the album’s character, and the producer who oversaw it all, mixing all the elements together to create what is arguably one the greatest American soul records of the 20th century. An album is only as good as the sum of its parts, and here, we examine how I’m Still In Love With You remains an upstanding example.
Before Tom Petty and the Heartbreakers were Tom Petty and the Heartbreakers, classic American rock icons, they were just five kids from Gainesville, Florida who had driven cross country to Los Angeles with $200 and hopes of landing a record deal for their southern rock group Mudcrutch.
Their ascent would be a slow one; the group signed with Shelter Records in 1974 and released a single, only to be dropped from the label. The band broke up. The band got back together and found themselves with a new opportunity to release an album — this time with a better name: Tom Petty and the Heartbreakers.
Released in 1976, Tom Petty and the Heartbreakers’ self-titled debut is an amalgamation of styles and influences. It travels from classic blues to swampy country to classic ‘50s rock in songs that are abruptly short and full of anxious, pulsing rhythms that weren’t too deviant from the emerging punk scene. It’s no wonder people didn’t know what to do with them or how to classify them when the album was released.
Though the album contains songs that are now staples of American pop culture, ingrained in our collective consciousness — songs like “American Girl” and “Breakdown” — it would be a few years before Tom Petty and the Heartbreakers cemented their status as household name rock stars — but it’s a status they’ve held onto.
In this episode, we discuss the variety of musical influences on early Heartbreakers work, dive into Tom Petty’s sparse songwriting style, and talk about why Tom Petty and the Heartbreakers’ enduring, four decade long careers truly inspire us.
The year is 1970. America is in the midst of political turmoil: the Vietnam War faces extensive grassroots backlash, four students are killed at Kent State University in Ohio, and women strike for equality in New York. The music world is not without its share of anguish: the Beatles announce their breakup, American Top 40 is about to make scoring a hit record even more important to artists, and both Jimi Hendrix and Janis Joplin overdose and die within weeks of each other. Graham Nash is dealing with his own personal unrest. Fresh off of two breakups, romantically with Joni Mitchell and professionally with Crosby, Stills, Nash, and Young, and politically charged, Nash takes to the studio to record his debut solo album, Songs For Beginners.
Assembled with the assistance of a slew of members of the crescendoing Laurel Canyon music community, Songs For Beginners succinctly captures the trifecta of traits that have defined Nash’s songwriting: gut-punches of raw emotion, crafted with a pop sensibility in mind, and full of rallying cries for social and political activism. Nash openly and unabashedly shares his most personal feelings, whether they are intimate depictions of heartbreak or outraged shouts, in a manner that will influence folk-rock and indie singer-songwriters for generations to come.
In this episode, we examine Graham Nash’s powerful lyrics and their lasting impression on society, discuss the wealth of music released during the Laurel Canyon era and the importance of creative incubator communities, and get deep into our feels about the relationship between Graham Nash and Joni Mitchell that fueled this album.
Last Halloween, my best friend, Carly Jordan, had an idea: what if we turned all the time we spent analyzing every little thing about albums for fun and turn it into a podcast? Every other week, we’d discuss a different album and share our unconventional love of older music; we’d try to bridge a generation gap; we’d try to carry the torch.
After a few months of questioning if it was an appropriate time to release a music podcast, it’s here. In the coming months you’ll hear us talk about a variety of albums, from Betty Davis to Talking Heads to Big Star. But to start, we kicked off with our favorite (obviously) — this little known nugget from Stevie Nicks and Lindsey Buckingham from their days before Fleetwood Mac — because how could we not? Sneak a peak of each post below and be sure to follow (details below) for more.
Two years before joining Fleetwood Mac, Stevie Nicks and Lindsey Buckingham had no idea what lay ahead of them. They were just two kids who wanted to make great music — and they just happened to be in love.
A cult favorite of Fleetwood Mac fans, this album is curiously still only available on vinyl. While bootlegs of the album can be streamed on YouTube, it has never been (officially) released on cassette, CD, or to streaming services like Spotify. This is perhaps part of the attraction to the album — this is music that doesn’t outright present itself; it must be found.
In this episode, we discuss why we both call this album our favorite of all time, what makes it unique, and why it still takes our breath away hundreds of listens later.