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Let’s 🥖 get 🥖 this 🥖 bread 🥖

Did you know the federal minimum wage for tipped restaurant workers is $2.13? How about the fact that 70% of restaurant workers are women? What about the alarming rate of sexual harassment charges filed by women restaurant workers  — the EEOC has targeted the restaurant industry as the single largest source of sexual harassment charges, with a rate FIVE TIMES higher than any other industry.

It was such an invigorating experience to hear Jane Fonda (one of my heroes, and the person who inspired my own political & feminist awakening at 14), ROC United founder Saru Jayaraman, and more speak about #OneFairWage today, particularly because this isn’t JUST an economic issue. It’s a WOMEN’S RIGHTS issue. As Ms. Jayaraman said: “When you pay a sub minimum wage to an industry that is primarily made up of women, it indicates the value you place on women.”

Seven states have passed one fair wage (and saw a direct correlation between fair wages and a drop in sexual harassment charges); New York could be next. Seriously urge you to visit onefairwage.com for more info, because we all deserve a fair shot at securing the bag. ✊

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In case you missed it: A fantastic new episode of the ’77 Music Club podcast is now live. It’s a special one — we interviewed iconic punk baddie Viv Albertine about an album that’s influenced her (Dionne Warwick’s Golden Hits Pt 1) and learned so, so much in the process. It’s a great one. Tune in here.

Check out episode 4 of the ’77 Music Club podcast on Tom Tom Club

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The year is 1981 and pop culture is exploding around the world — Raiders of the Lost Ark premieres, the wreckage of the Titanic is found, and Lady Diana Spencer marries Charles, Prince of Wales. The music industry is coming out of one of its worst slumps in decades, dealing with the backlash against disco music, and tucked away at Compass Point Studios in the Bahamas, bassist Tina Weymouth and drummer Chris Frantz of the Talking Heads record their first album as Tom Tom Club.

The album will become one of the most popular post-disco dance records of the ’80s and gross more than any of the four albums Talking Heads had released to that point. It incorporates international musical techniques and influences, giving the songs a flavor that expands the post-punk art rock sound Tina and Chris had established with Talking Heads, and sets the tone for the new directions that they would take in their musical careers.

While this album can definitely be dated to the early ’80s, we are in love with how it simultaneously sounds fresh and exciting to millennial ears. In this episode, we explore the sound combinations that make this album the joyous thing that it is, discuss its legacy and relevance, and speak about why Tina Weymouth and Chris Frantz are two artists who inspire us big time.

(I try to love all of our episodes equally, but I think this one might be my absolute favorite and our best one yet, so check it out.)

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