’77 music club, episode 8: graham nash’s songs for beginners

The year is 1970. America is in the midst of political turmoil: the Vietnam War faces extensive grassroots backlash, four students are killed at Kent State University in Ohio, and women strike for equality in New York. The music world is not without its share of anguish: the Beatles announce their breakup, American Top 40 is about to make scoring a hit record even more important to artists, and both Jimi Hendrix and Janis Joplin overdose and die within weeks of each other. Graham Nash is dealing with his own personal unrest. Fresh off of two breakups, romantically with Joni Mitchell and professionally with Crosby, Stills, Nash, and Young, and politically charged, Nash takes to the studio to record his debut solo album, Songs For Beginners.

Assembled with the assistance of a slew of members of the crescendoing Laurel Canyon music community, Songs For Beginners succinctly captures the trifecta of traits that have defined Nash’s songwriting: gut-punches of raw emotion, crafted with a pop sensibility in mind, and full of rallying cries for social and political activism. Nash openly and unabashedly shares his most personal feelings, whether they are intimate depictions of heartbreak or outraged shouts, in a manner that will influence folk-rock and indie singer-songwriters for generations to come.

In this episode, we examine Graham Nash’s powerful lyrics and their lasting impression on society, discuss the wealth of music released during the Laurel Canyon era and the importance of creative incubator communities, and get deep into our feels about the relationship between Graham Nash and Joni Mitchell that fueled this album.

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Introducing the ’77 Music Club podcast

Last Halloween, my best friend, Carly Jordan, had an idea: what if we turned all the time we spent analyzing every little thing about albums for fun and turn it into a podcast? Every other week, we’d discuss a different album and share our unconventional love of older music; we’d try to bridge a generation gap; we’d try to carry the torch.

After a few months of questioning if it was an appropriate time to release a music podcast, it’s here. In the coming months you’ll hear us talk about a variety of albums, from Betty Davis to Talking Heads to Big Star. But to start, we kicked off with our favorite (obviously) — this little known nugget from Stevie Nicks and Lindsey Buckingham from their days before Fleetwood Mac — because how could we not? Sneak a peak of each post below and be sure to follow (details below) for more.

77-music-club-buckingham-nicksTwo years before joining Fleetwood Mac, Stevie Nicks and Lindsey Buckingham had no idea what lay ahead of them. They were just two kids who wanted to make great music — and they just happened to be in love.

A cult favorite of Fleetwood Mac fans, this album is curiously still only available on vinyl. While bootlegs of the album can be streamed on YouTube, it has never been (officially) released on cassette, CD, or to streaming services like Spotify. This is perhaps part of the attraction to the album — this is music that doesn’t outright present itself; it must be found.

In this episode, we discuss why we both call this album our favorite of all time, what makes it unique, and why it still takes our breath away hundreds of listens later.

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