psa: we’ve returned from our brief hiatus
there’s a lot packed into this one, from his groundbreaking strides for lgbtq artists, ’70s social norms vs. today’s, the ways androgyny in rock is tied closely to white cis-male privilege…….. and also what “flex” and “zaddy” mean (for tha boomers out there).
so, yeah, a typical episode from us.
Wrote about some albums I loved a whole lot this year — from Amen Dunes (#11), Stephen Malkmus & the Jicks (#6), Parquet Courts (#5), and Janelle Monae (#3) — for Flood Magazine.
“Best Of” lists are so subjective and ranking/comparing art can be so weird. That said, I do love year-end blurb season. I love reading what stood out to other music fiends in an increasingly cluttered landscape and asking myself to consider what I might have missed or what others thought of those albums I played on repeat. Really stoked to be included alongside some great discourse in this entire list.
yooooo my profile of CHAI for Flood Magazine is now online. cool if you like art rock or punk or new wave or riot grrrl or feminism or just, uh, me? you can read it here.
I wrote about Bikini Kill, Kathleen Hanna, female anger and this album that has been a necessary cathartic release these past few enraging months where I’ve just wanted to scream 24/7 for FLOOD Magazine.
ay yo, two new episodes of ’77 music club are live right now and they could not be more radically different:
season 3, episode 3: joe walsh’s the smoker you drink, the player you get
in which we talk about joe walsh’s surprisingly eclectic musical influences, recognize the contributions of his backing band, lol about how he is an irl meme, and so much more
season 3, episode 4: nico’s the marble index
in which we’re back on our bullshit about trailblazing women, discussing how radical nico’s agency and aesthetic were in 1968, this album’s difficult themes, and what makes it so influential to the goth rock genre